Pre-Columbian cultures in Central America valued jade more than any other substance including gold. Looking at this incredible beauty of this authentic "axe god" pendant of the Greater Nicoya Pre-Columbian Culture leaves little doubt why. Where clay objects could be made with relative lack of special skill and produced in high volumes, ground and polished stone objects required much more expertise and time to produce the glossy finishes seen. Furthermore, because of the extreme value placed on materials such as jade and serpentine, only the finest carvers were allowed to work with the material. The end result of this practice meant that carved and polished jade objects were ONLY within reach of the most wealthy and noble classes of Pre-Columbian tribes.
This stunning treasure piece is an abstract, stunning rendition of a bird-god with giant, prominent eyes bulging above its large beak. It is made of an amazing crackle-pattern mint green jade that possesses a beautiful translucency when lit from behind. The stone is very dense and the original lustrous polish is still intact and well-preserved. The workmanship on this ancient masterpiece is truly the best and this is one of the finest examples of these sought-after artifacts we have seen. There is NO modern damage which is hard to find in authentic pieces. Minute crevices and perforated holes still impacted with original mineral sediment - a trait ONLY seen in AUTHENTIC specimens such as this example. Exercise caution as many of these in the market are clever fakes.
This figure represents one of the "bird people" style and shows arms folded in front and the abstract form of this figure displays this same feature. Pieces like this were considered the treasure of the owner in their time and today, the same can be true. Scientific excavations show very few burials yielding objects are fine as this. Most definitely an object of extreme status or wealth amongst the Nicoya. A true MUSEUM-CLASS specimen for both its workmanship and its choice of material used - translucent jade.
This axe-god pendant is wearable as is, or can be used as a centerpiece for a stunning piece of jewelry with high-karat gold.
Pre-Columbian Indians considered jade much more valuable than gold. When Spanish explorers first made contact with several tribes, there are records note the surprise amongst various indigenous cultures, wondering why the explorers were more interested in the gold rather than the jade. Jade objects in Pre-Columbian cultures were considered the most precious and hence, displays of nobility and wealth. In some Mesoamerican Pre-Columbian Cultures, axe-like anthropomorphic pendants called "Axe Gods", can be found, often resembling a sharpened celt axe at the base and having features of some type of deity or figure. Jade examples are the most desirable today, as they were in ancient times.
This piece is attributed to the Greater Nicoya Pre-Columbian Culture. This archaeological culture prevailed in the area of Latin America comprising the far southwestern coastal region of Honduras, the far northwestern Pacific coastal region of Costa Rica and the Pacific side of coastal Nicaragua. This Indian culture thrived for many centuries before the first Spanish explorers made contact around 1500 A.D.. The people had no written language but spoke Nahuatl and had continual contact with the Aztec (Mexica) Indians of Central Mexico. The Gran Nicoya culture included many beautiful designs incorporating a variety of different mammals, reptiles and amphibians in effigy pieces. Their pottery is also known for complex glyph-like painted decorations. In the first 500 to 600 years A.D., resources became low as populations grew and warfare become increasingly evident. Tribes in this region practiced head-hunting and victim sacrifice in their warfare.
WARNING: There is an ALARMING number of fake ancient artifacts on the market. As fine quality intact, original specimens become more scarce and techniques have become more sophisticated to fake these artifacts. We have personally handled numerous extremely well-done fakes with extremely convincing patinas. The degree to which the fakers have been able to replicate patina to disguise their work requires an expert examination by highly experienced individuals. Like all rare collectibles, fakes plague the market. Deal only with sources that are extremely knowledgeable in forgeries or altered pieces and get a written guarantee of authenticity that has no conditions or expiration period. We includes this guarantee in writing with every item we sell. All purchases should include from the dealer a written guarantee of authenticity with unconditional and lifetime return policies regarding such guarantee.